Jump on it folks if you want to go. I have the feeling all the remaining shows will soon be sold out.
I couldn’t attend my wife Pat’s final Christmas concert with the Timbre! Choir in Port Alberni last Sunday. Pat always expresses to me shortly before concerts her worries that the choir will not be ready for a particular performance. I habitually chuckle silently to myself. I was between shows at Yellowpoint when I received the expected text on my iPhone from her. “Best ever” the text read.
FINAL WEEKEND - FRI. DEC 18 (7pm), SAT. DEC 19 (3pm & 7pm), SUN. DEC. 20, (3pm)
I recently found this black & white photo from 1946 of the plywood cutout mentioned above. The carolers are mounted for the first time on the snowy roof of our family home. |
The past several weeks I’ve been wading through a 992-page tome called Sinatra: The Chairman by James Kaplan. I also downloaded from iTunes Ultimate Sinatra ($10), a single-disc containing a cross-section of Sinatra's unparalleled recording career. Led by 'All Or Nothing At All' and closed with a previously unreleased alternate version of 'Just In Time,' the collection is stacked with standouts, including 'I'll Never Smile Again' (1940), 'I've Got The World On A String' (1953), 'In The Wee Small Hours Of The Morning' (1955), 'I've Got You Under My Skin' (1956), 'Come Fly With Me' (1957), 'The Way You Look Tonight' (1964), 'Fly Me To The Moon (In Other Words)' (1964), 'Strangers In The Night' (1966), 'My Way' (1968), and 'Theme From New York, New York' (1979), among many more. I decided not to spring for the elaborate 4-disk Centennial Collection at $40.
Sinatra: The Chairman is a riveting read. One reviewer Globe correspondent Julia Klein in my opinion put it best, saying the book is “a juicy, painstakingly researched, excitingly written examination of a brilliant musician, an uneven and temperamental actor, and a charming erratic, deeply flawed man.” Wow, that’s a mouthful.
Having lived in Los Angeles while attending music college in the late 50’s and early 60’s, I most enjoyed the detail to the events surrounding Sinatra’s recording sessions that took place in those years at the new Capitol Studios on Vine Street just a few blocks from where I lived. It gave me a new appreciation of the songs as I listened to them while reading the book.
Regrettably for my taste, at times the music almost seems secondary given Sinatra’s lifestyle which was domineered by dozens of beautiful women, The Mob, politics and booze. Yes, Sinatra had issues and the author describes them in great detail. However, whenever the text became excessively tragic for me to read on, I just punched up the CD and listened. The man’s digressions quickly faded. For me, Sinatra was and always will be the consummate vocalist. Paraphrasing the words of Frank’s mammoth hit from 1968 declare, He did it His Way.
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